| Largely
constructed on a single chord, this was a very modernistic
concept for 1927, and partially opened the door to modal improvisation
that came into jazz in the 1950s. Our version explores these
concepts within the framework of Morton’s own thematic
material.
Another aim of
this recording is to stress the timelessness of Morton’s
music and of early jazz in general. None of today’s
jazz could have existed without the very sound foundations
laid by Morton, Armstrong, Oliver and others, and it is this
concept of a single music, regardless of stylistic pigeonholes,
that underlies the Classic Jazz Orchestra’s repertoire
and performances.
It is a great
thrill to work with such enthusiastic and capable musicians,
and my heartfelt thanks go out to them. Further thanks are
due to the Scottish Arts Council for supporting this project,
to Roger Spence of Assembly Direct for talking me into starting
the band, and to my dear wife Shirley for her support, enthusiasm
and endless patience.
Ken Mathieson
July 2006.
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